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Marguerite duras the war plot
Marguerite duras the war plot












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Resnais later used similar effects in The War Is Over and Last Year at Marienbad. Īmong the film's innovations is Resnais' experiments with very brief flashback sequences intercut into scenes to suggest the idea of a brief flash of memory. Filmmaker Eric Rohmer said, "I think that in a few years, in ten, twenty, or thirty years, we will know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema".

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New Wave filmmaker Jean-Luc Godard described the film's inventiveness as " Faulkner plus Stravinsky" and celebrated its originality, calling it "the first film without any cinematic references". Hiroshima mon amour has been described as "The Birth of a Nation of the French New Wave" by American critic Leonard Maltin. In 2002, it was voted by the international contributors of the French film magazine Positif to be one of the top 10 films since 1952, the first issue of the magazine. It won the prestigious Grand Prix of the Belgian Film Critics Association in 1960. Hiroshima mon amour earned an Oscar nomination for screenwriter Marguerite Duras as well as the Fipresci International Critics' Prize at the 1959 Cannes Film Festival, where the film was excluded from the official selection because of its sensitive subject matter of nuclear bombs as well as to avoid upsetting the U.S. The producers stipulated that one main character must be French and the other Japanese, and also required that the film be shot in both countries employing film crews comprising technicians from each. The film was a co-production by companies from both Japan and France. He later went to his producer and joked that the film could not be done unless Marguerite Duras was involved in writing the screenplay.

#Marguerite duras the war plot how to

The film is peppered with dozens of brief flashbacks to Her life in her youth in the French town Nevers, she was shamed and had her head shaved as punishment for having a love affair with a German soldier, which she juxtaposes with the loss of the hair "which the women of Hiroshima will find has fallen out in the morning."Īccording to James Monaco, Resnais was originally commissioned to make a short documentary about the atomic bomb, but spent several months confused about how to proceed because he did not want to recreate his 1955 Holocaust documentary Night and Fog. The film uses highly structured repetitive dialogue, mostly consisting of Her narration, with Him interjecting to say she is wrong, lying or confused, or to deny and contradict her statements with the film's famous line "You are not endowed with memory." Although He disagrees and rejects many of the things She says, he pursues her constantly. He had been conscripted into the Imperial Japanese Army, and his family was in Hiroshima on that day. The early part of the film recounts, in the style of a documentary but narrated by the so far unidentified characters, the effects of the Hiroshima bomb on August 6, 1945, in particular the loss of hair and the complete anonymity of the remains of some victims. The two debate memory and forgetfulness as She prepares to depart, comparing failed relationships with the bombing of Hiroshima and the perspectives of people inside and outside the incidents. They have had a brief relationship and are now separating.

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Hiroshima mon amour concerns a series of conversations (or one enormous conversation) over a 36-hour long period between a French actress ( Emmanuelle Riva), referred to as Her, and a Japanese architect ( Eiji Okada), referred to as Him.














Marguerite duras the war plot